“I want to speak particularly of your theory of clean manuscripts, and spelling as correct as a collegiate stenographer, and every nasty little comma in its place and preening of itself. ‘Manners,’ you say it is, and knowing the ‘trade’ and the ‘Printed Word.’
“But I have no interest in the printed word. I would continue to write if there were no writing and no print. I put my words down for a matter of memory. They are more made to be spoken than to be read. I have the instincts of a minstrel rather than those of a scrivener. There you have it. We are not of the same trade at all and so how can your rules fit me?
“When my sounds are all in place, I can send them to a stenographer who knows his trade and he can slip the commas about until they sit comfortably and he can spell the words so that school teachers will not raise their eyebrows when they read them. Why should I bother? There are millions of people who are good stenographers but there aren’t so many thousands who can make as nice sounds as I can.”
—John Steinbeck (1902-1968),
writer and minstrel, Letter to A. Grove Day, December 1929 (A Life in Letters, 1975). Image: Peter Stackpole, 1937.
• Editorial Comment: I’m sitting on the porch, barking like a seal — as close as I get to my novel.
Spring Blooms
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“I don’t think writers are sacred, but words are. They deserve respect. If you get the right ones, in the right order, you can nudge the world a little.” —Tom Stoppard
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