Rule 10. Try to leave out the part that readers tend to skip
“A rule that came to mind in 1983. Think of what you skip reading a novel: thick paragraphs of prose you can see have too many words in them. What the writer is doing, he's writing, perpetrating hooptedoodle, perhaps taking another shot at the weather, or has gone into the character's head, and the reader either knows what the guy's thinking or doesn't care. I'll bet you don't skip dialogue.
My most important rule is one that sums up the 10.
If it sounds like writing, I rewrite it.”
—Elmore Leonard (1925-2013), crime novelist, who died last week. Obit, including video tribute, Detroit News.
• See “Elmore Leonard’s 10 rules of writing,” The Detroit Press, August 20, 2013
• Editorial Comment: Not much hooptedoodle in Get Shorty, or wherever Elmore is now. I hope.
PeezPIX by Ted Pease
Tuna Trip
Original PeezPix archival prints, matted at sizes from 5x7" to 16x20" or larger, available for sale: $14 (5x7), $28 (8x12) and up. email ted.pease@gmail.com. Thanks for asking.
(Be)Friend Dr. Ted, Professor of Interesting Stuff
TODAY'S WORD ON JOURNALISM is a free “service” sent to the 1,800 or so misguided volunteer subscribers around the planet. If you have recovered from whatever led you to subscribe and don’t want it anymore, send “unsubscribe” to ted.pease@gmail.com. Or if you want to afflict someone else, send me the email address and watch the fun begin. (Disclaimer: While I just quote ’em, I don't necessarily endorse ’em. All, in theory, contain at least a kernel of insight. But don’t shoot the messenger.)
Ted Pease, Professor of Interesting Stuff
Utah State University, Logan, Utah & Humboldt State University, Arcata, Calif.
To receive Today's Word on Journalism, send "subscribe" to ted.pease@usu.edu
“Words are sacred. They deserve respect. If you get the right ones, in the right order, you can nudge the world a little.” —Tom Stoppard
.
No comments:
Post a Comment